Billboard and radio chart topping, award-winning, international reggae-rock sensation Roots of Creation, are a touring powerhouse.

Whether on the festival circuit, performing at jam and reggae-rock favorites like Camp Bisco, Gathering of The Vibes, California Roots, Jungle Jam and Closer to the Sun, or sharing the stage at sold out shows with some of their diverse influences including Slightly Stoopid, The Wailers, and Michael Franti, reggae/rock/dubtronica band Roots of Creation(RoC) offers up a high-energy, infectious live music experience. Their mix of reggae riddims, conscious lyrics, spirited horn lines, and electronic beats makes crowds move and has their loyal underground fan base (RoC Family) and street team (Universal Soldiers) travelling the distance to pack venues from coast-to-coast.

Roots of Creation’s most recent release, Livin Free (2016), debuted No. 1 on both the Billboard Reggae and the Relix/Jambands.com Radio charts. Livin Free is a triple record that includes three versions of each song–studio, dub, and acoustic that features guest performances by Melvin Seals (Jerry Garcia Band), Marshall “Ras MG” Goodman (Sublime, Long Beach Dub Allstars), the Rubblebucket horn section, Billy Kottage (Reel Big Fish), Grammy-nominated Pato Banton (Sting, UB40), and many more. Additionally, the album welcomes guest production by Yeti Beats (Rebelution, Slightly Stoopid).

Now RoC has taken on a unique new project: Grateful Dub. Combining their longtime love for reggae-dub style music and the Grateful Dead, RoC reworked some of the world’s favorite Dead tunes into a new studio album. RoC had the pleasure of working in the studio with the legendary 5-time Grammy winner Errol Brown who was Bob Marley’s engineer and now Rebelution’s live sound engineer for this project. Grateful Dub is also being performed live in its entirety at festivals, theatres, and clubs around the country, and features rotating special guests including Melvin Seals (JGB), Scott Guberman (Phil Lesh) full horn sections, and others. Grateful Dub captures the spirit and magic of the Grateful Dead, while laying it down reggae-dub style.

For nearly a decade now, Bumpin Uglies have been playing their brand of groove-heavy jams – a curiously fun mix of ska, Reggae and good ole’ punk rock – all while putting strong lyrics at the forefront of the music. It’s a formula that quickly took them from local favorites, playing around Annapolis, to a national stage. With a wildly infectious sound, tattoo-worthy lyrics and an itch to take their music to the masses, the band piled into the van years ago and have rarely seen home since.

When they aren’t on the road, they’ve been camped in the studio, churning out four full-length albums, two acoustic albums, three EP’s and a Live record. Their latest, 2018’s Beast From The East came out on Space Duck Records and is proof that the band has found their groove. The album consists of a dozen stand-out tracks, any one of which could be considered instant classics for the band. The album also features some big names in the East Coast reggae-rock community including Ballyhoo!’s Howi Spangler, the Movement’s Gary Dread, Passafire’s Ted Bowne, Tropidelic’s Derek McBryde, Matthew Roads & Young James, Zach Fowler of Sun Dried Vibes and Oogee Wawa’s Jesse Lee. Buzz magazine raves “Beast From The East IS A CAREFULLY CRAFTED PUNK-REGGAE GEM.”

The Bumpin Uglies’ origin story begins with singer/guitarist Brandon Hardesty playing open mics around Maryland. He met bassist Dave Wolf not too long after and Bumpin Uglies was born. With a proper set of wheels and TJ Haslett on drums, they went off to spread their music across the country like modern day Johnny Appleseeds. The group recently added Chad Wright on keyboards, expanding on their sound.

Raised on everything from Bad Religion and The Beach Boys to Sublime and Reel Big Fish, Bumpin Uglies have managed to take inspiration from some of the best out there, run it through their own distinctive filter and end up with a truly original take on the various genres creating an original hybrid. With a unique sound that’s nearly impossible to ignore, the band has gotten everyone from dreadlocked kids to PBR-fueled tattooed punks moving their heads to their music at festivals and on headlining tours across the country.

Who is Bumpin Uglies?

Brandon Hardesty – Vocals, Guitar
Dave Wolf – Vocals, Bass
TJ Haslett – Drums
Chad Wright – Vocals, Keys, Guitar

Badfish – a Tribute To Sublime

The phenomenon known as Sublime, arguably the most energetic, original and uniquely eclectic band to emerge from any scene, anywhere, ended with the untimely death of lead singer, guitarist and songwriter Brad Nowell in May of 1996. But encompassing the sense of place and purpose long associated with Sublime’s music, Badfish, a Tribute to Sublime continues to channel the spirit of Sublime with a fury not felt for some time. What separates Badfish from other tribute bands is that they have replicated Sublime’s essence, developing a scene and dedicated following most commonly reserved for label-driven, mainstream acts. Badfish make their mark on the audience by playing with the spirit of Sublime. They perform not as Sublime would have, or did, but as Badfish does.

Lee Perry, aloso known as “Scratch,” was born in a rural section of Jamaica in 1936. Intent on making it in music, Perry moved to Kingston in the late 1950s where he began working for a series of studios. In 1968 he broke out on his own, established a new label and issued a string of hits, including People Funny Boy and Return Of Django. Perry was instrumental in introducing remixing into the reggae sound. He worked Bob Marley and later with The Clash, Paul McCartney and the Beastie Boys.

Early Career
A pioneering reggae artist and music producer, Rainford Hugh Perry (later known as Lee “Scratch” Perry) was born March 20, 1936, in Kendal, Jamaica. Raised in a rural, poor section of his home country, Lee Perry harbored dreams of making it big in the world of music.

In the late 1950s, Perry set out to pursue his dream, moving to Kingston, where a new musical genre, reggae, had grabbed hold of the city and the growing recording industry. As a young man trying to carve out a living in the music world, Perry took any work that came his way. Hired as a handyman, then a janitor at different music studios, he slowing worked his way up the ladder until he was writing songs.

Perry eventually hooked on with Clement “Coxsone” Dodd, founder of Studio One, an influential recording studio, where a young Bob Marley would soon be crafting his sound. But Perry\’s relationship with Dodd proved turbulent, and after falling out with his boos, he started work at Whirl Records and its head man, Joe Gibbs.

Just as he had with Dodd, Perry had his problems with Gibbs and in 1968 exited Whirl and ventured out on his own to start his own label, Upsetter.

Billboard and radio chart topping, award-winning, international reggae-rock sensation Roots of Creation, are a touring powerhouse.

Whether on the festival circuit, performing at jam and reggae-rock favorites like Camp Bisco, Gathering of The Vibes, California Roots, Jungle Jam and Closer to the Sun, or sharing the stage at sold out shows with some of their diverse influences including Slightly Stoopid, The Wailers, and Michael Franti, reggae/rock/dubtronica band Roots of Creation(RoC) offers up a high-energy, infectious live music experience. Their mix of reggae riddims, conscious lyrics, spirited horn lines, and electronic beats makes crowds move and has their loyal underground fan base (RoC Family) and street team (Universal Soldiers) travelling the distance to pack venues from coast-to-coast.

Roots of Creation’s most recent release, Livin Free (2016), debuted No. 1 on both the Billboard Reggae and the Relix/Jambands.com Radio charts. Livin Free is a triple record that includes three versions of each song–studio, dub, and acoustic that features guest performances by Melvin Seals (Jerry Garcia Band), Marshall “Ras MG” Goodman (Sublime, Long Beach Dub Allstars), the Rubblebucket horn section, Billy Kottage (Reel Big Fish), Grammy-nominated Pato Banton (Sting, UB40), and many more. Additionally, the album welcomes guest production by Yeti Beats (Rebelution, Slightly Stoopid).

Now RoC has taken on a unique new project: Grateful Dub. Combining their longtime love for reggae-dub style music and the Grateful Dead, RoC reworked some of the world’s favorite Dead tunes into a new studio album. RoC had the pleasure of working in the studio with the legendary 5-time Grammy winner Errol Brown who was Bob Marley’s engineer and now Rebelution’s live sound engineer for this project. Grateful Dub is also being performed live in its entirety at festivals, theatres, and clubs around the country, and features rotating special guests including Melvin Seals (JGB), Scott Guberman (Phil Lesh) full horn sections, and others. Grateful Dub captures the spirit and magic of the Grateful Dead, while laying it down reggae-dub style.

Hailing from the east coast, Baltimore alt-rockers Ballyhoo! have been on the road, taking their melodic anthems to the people for over a decade. Their “On Tour Forever” work ethic has taken them all over the country, steadily building a fan base of loyal “Hooligans.”

In 2013, the band cracked the Billboard 200 chart at #189 with their 5th album, “Pineapple Grenade,” released on their own label,
Right Coast Records.

In 2014, the album was followed by an EP, “The Cool Down: Vol. 1,”
a collection of acoustic renditions of classic Ballyhoo! songs as well as 3 brand new songs:
“Beach Party,” “ADHD” & “Overnight Sensation.”

2015 brought even more touring and music with the band supporting well known ska-punkers Less Than Jake and Reel Big Fish, Rock/Reggae icons Pepper, while also releasing two singles: “Fast Times” & “Mixtape.” The latter will appear on the band’s new album, “girls.” slated to be released this Summer. Ballyhoo! joined forces with PledgeMusic, rallying fans to be a part of the making of this new album. The campaign was a success with well over 100% funding.

Now in 2016 with a new album of songs produced by Paul Leary (Sublime) & Matt Wallace (Maroon 5, Faith No More),
Ballyhoo! is back out on the grind.

Badfish – a Tribute To Sublime

The phenomenon known as Sublime, arguably the most energetic, original and uniquely eclectic band to emerge from any scene, anywhere, ended with the untimely death of lead singer, guitarist and songwriter Brad Nowell in May of 1996. But encompassing the sense of place and purpose long associated with Sublime’s music, Badfish, a Tribute to Sublime continues to channel the spirit of Sublime with a fury not felt for some time. What separates Badfish from other tribute bands is that they have replicated Sublime’s essence, developing a scene and dedicated following most commonly reserved for label-driven, mainstream acts. Badfish make their mark on the audience by playing with the spirit of Sublime. They perform not as Sublime would have, or did, but as Badfish does.

For nearly a decade now, Bumpin Uglies have been playing their brand of groove-heavy jams – a curiously fun mix of ska, Reggae and good ole’ punk rock – all while putting strong lyrics at the forefront of the music. It’s a formula that quickly took them from local favorites, playing around Annapolis, to a national stage. With a wildly infectious sound, tattoo-worthy lyrics and an itch to take their music to the masses, the band piled into the van years ago and have rarely seen home since.

When they aren’t on the road, they’ve been camped in the studio, churning out four full-length albums, two acoustic albums, three EP’s and a Live record. Their latest, 2018’s Beast From The East came out on Space Duck Records and is proof that the band has found their groove. The album consists of a dozen stand-out tracks, any one of which could be considered instant classics for the band. The album also features some big names in the East Coast reggae-rock community including Ballyhoo!’s Howi Spangler, the Movement’s Gary Dread, Passafire’s Ted Bowne, Tropidelic’s Derek McBryde, Matthew Roads & Young James, Zach Fowler of Sun Dried Vibes and Oogee Wawa’s Jesse Lee. Buzz magazine raves “Beast From The East IS A CAREFULLY CRAFTED PUNK-REGGAE GEM.”

The Bumpin Uglies’ origin story begins with singer/guitarist Brandon Hardesty playing open mics around Maryland. He met bassist Dave Wolf not too long after and Bumpin Uglies was born. With a proper set of wheels and TJ Haslett on drums, they went off to spread their music across the country like modern day Johnny Appleseeds. The group recently added Chad Wright on keyboards, expanding on their sound.

Raised on everything from Bad Religion and The Beach Boys to Sublime and Reel Big Fish, Bumpin Uglies have managed to take inspiration from some of the best out there, run it through their own distinctive filter and end up with a truly original take on the various genres creating an original hybrid. With a unique sound that’s nearly impossible to ignore, the band has gotten everyone from dreadlocked kids to PBR-fueled tattooed punks moving their heads to their music at festivals and on headlining tours across the country.

Who is Bumpin Uglies?

Brandon Hardesty – Vocals, Guitar
Dave Wolf – Vocals, Bass
TJ Haslett – Drums
Chad Wright – Vocals, Keys, Guitar

Lee Perry, aloso known as “Scratch,” was born in a rural section of Jamaica in 1936. Intent on making it in music, Perry moved to Kingston in the late 1950s where he began working for a series of studios. In 1968 he broke out on his own, established a new label and issued a string of hits, including People Funny Boy and Return Of Django. Perry was instrumental in introducing remixing into the reggae sound. He worked Bob Marley and later with The Clash, Paul McCartney and the Beastie Boys.

Early Career
A pioneering reggae artist and music producer, Rainford Hugh Perry (later known as Lee “Scratch” Perry) was born March 20, 1936, in Kendal, Jamaica. Raised in a rural, poor section of his home country, Lee Perry harbored dreams of making it big in the world of music.

In the late 1950s, Perry set out to pursue his dream, moving to Kingston, where a new musical genre, reggae, had grabbed hold of the city and the growing recording industry. As a young man trying to carve out a living in the music world, Perry took any work that came his way. Hired as a handyman, then a janitor at different music studios, he slowing worked his way up the ladder until he was writing songs.

Perry eventually hooked on with Clement “Coxsone” Dodd, founder of Studio One, an influential recording studio, where a young Bob Marley would soon be crafting his sound. But Perry\’s relationship with Dodd proved turbulent, and after falling out with his boos, he started work at Whirl Records and its head man, Joe Gibbs.

Just as he had with Dodd, Perry had his problems with Gibbs and in 1968 exited Whirl and ventured out on his own to start his own label, Upsetter.

The Expendables enjoyed a laid-back lifestyle growing up in Santa Cruz, CA; surfing, skating, partying, and playing music were commonplace. Since 1997, The Expendables have staked their claim in the California surf/rock genre by headlining venues from coast to coast. Blending Reggae, Punk Rock, and 80s style dueling guitar solos, The Expendables have made heads turn and floors shake for years.

The band consists of four longtime friends: Geoff Weers (Guitar and Vocals), Adam Patterson (Drums and Vocals), Raul Bianchi (Lead Guitar) and Ryan DeMars (Bass). The first seven years of their career was fueled with three full-length, completely independent releases. No Time To Worry (2000), Open Container (2001), and Gettin’ Filthy (2004), would bring in a combined total of over 40,000 units sold with no physical distribution and no record label.

While touring and supporting their album, Gettin’ Filthy, The Expendables would share the stage with Slightly Stoopid and catch the attention of founders and front men Kyle McDonald and Miles Doughty. In 2007 Slightly Stoopid formed their own independent label, Stoopid Records, and signed The Expendables for the label’s first non-Stoopid release, which was The Expendables self-titled. Released in September 2007, the album would be accepted as an instant classic by fans and received rave reviews from critics.

The band continued supporting the album with hundreds of shows over the next two years, gaining fans around the world, and respect from the bands that influenced them. Early 2009 The Expendables toured relentlessly. Within a few short months, they hit the road with NOFX, Less Than Jake, Pennywise, and Pepper. In case that was not enough, The Expendables were honored to join 311 on their Summer Unity amphitheater tour, rocking huge stages, and opening new doors for the band.

Badfish – a Tribute To Sublime

The phenomenon known as Sublime, arguably the most energetic, original and uniquely eclectic band to emerge from any scene, anywhere, ended with the untimely death of lead singer, guitarist and songwriter Brad Nowell in May of 1996. But encompassing the sense of place and purpose long associated with Sublime’s music, Badfish, a Tribute to Sublime continues to channel the spirit of Sublime with a fury not felt for some time. What separates Badfish from other tribute bands is that they have replicated Sublime’s essence, developing a scene and dedicated following most commonly reserved for label-driven, mainstream acts. Badfish make their mark on the audience by playing with the spirit of Sublime. They perform not as Sublime would have, or did, but as Badfish does.

For nearly a decade now, Bumpin Uglies have been playing their brand of groove-heavy jams – a curiously fun mix of ska, Reggae and good ole’ punk rock – all while putting strong lyrics at the forefront of the music. It’s a formula that quickly took them from local favorites, playing around Annapolis, to a national stage. With a wildly infectious sound, tattoo-worthy lyrics and an itch to take their music to the masses, the band piled into the van years ago and have rarely seen home since.

When they aren’t on the road, they’ve been camped in the studio, churning out four full-length albums, two acoustic albums, three EP’s and a Live record. Their latest, 2018’s Beast From The East came out on Space Duck Records and is proof that the band has found their groove. The album consists of a dozen stand-out tracks, any one of which could be considered instant classics for the band. The album also features some big names in the East Coast reggae-rock community including Ballyhoo!’s Howi Spangler, the Movement’s Gary Dread, Passafire’s Ted Bowne, Tropidelic’s Derek McBryde, Matthew Roads & Young James, Zach Fowler of Sun Dried Vibes and Oogee Wawa’s Jesse Lee. Buzz magazine raves “Beast From The East IS A CAREFULLY CRAFTED PUNK-REGGAE GEM.”

The Bumpin Uglies’ origin story begins with singer/guitarist Brandon Hardesty playing open mics around Maryland. He met bassist Dave Wolf not too long after and Bumpin Uglies was born. With a proper set of wheels and TJ Haslett on drums, they went off to spread their music across the country like modern day Johnny Appleseeds. The group recently added Chad Wright on keyboards, expanding on their sound.

Raised on everything from Bad Religion and The Beach Boys to Sublime and Reel Big Fish, Bumpin Uglies have managed to take inspiration from some of the best out there, run it through their own distinctive filter and end up with a truly original take on the various genres creating an original hybrid. With a unique sound that’s nearly impossible to ignore, the band has gotten everyone from dreadlocked kids to PBR-fueled tattooed punks moving their heads to their music at festivals and on headlining tours across the country.

Who is Bumpin Uglies?

Brandon Hardesty – Vocals, Guitar
Dave Wolf – Vocals, Bass
TJ Haslett – Drums
Chad Wright – Vocals, Keys, Guitar

The Expendables enjoyed a laid-back lifestyle growing up in Santa Cruz, CA; surfing, skating, partying, and playing music were commonplace. Since 1997, The Expendables have staked their claim in the California surf/rock genre by headlining venues from coast to coast. Blending Reggae, Punk Rock, and 80s style dueling guitar solos, The Expendables have made heads turn and floors shake for years.

The band consists of four longtime friends: Geoff Weers (Guitar and Vocals), Adam Patterson (Drums and Vocals), Raul Bianchi (Lead Guitar) and Ryan DeMars (Bass). The first seven years of their career was fueled with three full-length, completely independent releases. No Time To Worry (2000), Open Container (2001), and Gettin’ Filthy (2004), would bring in a combined total of over 40,000 units sold with no physical distribution and no record label.

While touring and supporting their album, Gettin’ Filthy, The Expendables would share the stage with Slightly Stoopid and catch the attention of founders and front men Kyle McDonald and Miles Doughty. In 2007 Slightly Stoopid formed their own independent label, Stoopid Records, and signed The Expendables for the label’s first non-Stoopid release, which was The Expendables self-titled. Released in September 2007, the album would be accepted as an instant classic by fans and received rave reviews from critics.

The band continued supporting the album with hundreds of shows over the next two years, gaining fans around the world, and respect from the bands that influenced them. Early 2009 The Expendables toured relentlessly. Within a few short months, they hit the road with NOFX, Less Than Jake, Pennywise, and Pepper. In case that was not enough, The Expendables were honored to join 311 on their Summer Unity amphitheater tour, rocking huge stages, and opening new doors for the band.

The Expendables enjoyed a laid-back lifestyle growing up in Santa Cruz, CA; surfing, skating, partying, and playing music were commonplace. Since 1997, The Expendables have staked their claim in the California surf/rock genre by headlining venues from coast to coast. Blending Reggae, Punk Rock, and 80s style dueling guitar solos, The Expendables have made heads turn and floors shake for years.

The band consists of four longtime friends: Geoff Weers (Guitar and Vocals), Adam Patterson (Drums and Vocals), Raul Bianchi (Lead Guitar) and Ryan DeMars (Bass). The first seven years of their career was fueled with three full-length, completely independent releases. No Time To Worry (2000), Open Container (2001), and Gettin’ Filthy (2004), would bring in a combined total of over 40,000 units sold with no physical distribution and no record label.

While touring and supporting their album, Gettin’ Filthy, The Expendables would share the stage with Slightly Stoopid and catch the attention of founders and front men Kyle McDonald and Miles Doughty. In 2007 Slightly Stoopid formed their own independent label, Stoopid Records, and signed The Expendables for the label’s first non-Stoopid release, which was The Expendables self-titled. Released in September 2007, the album would be accepted as an instant classic by fans and received rave reviews from critics.

The band continued supporting the album with hundreds of shows over the next two years, gaining fans around the world, and respect from the bands that influenced them. Early 2009 The Expendables toured relentlessly. Within a few short months, they hit the road with NOFX, Less Than Jake, Pennywise, and Pepper. In case that was not enough, The Expendables were honored to join 311 on their Summer Unity amphitheater tour, rocking huge stages, and opening new doors for the band.

Hailing from the east coast, Baltimore alt-rockers Ballyhoo! have been on the road, taking their melodic anthems to the people for over a decade. Their “On Tour Forever” work ethic has taken them all over the country, steadily building a fan base of loyal “Hooligans.”

In 2013, the band cracked the Billboard 200 chart at #189 with their 5th album, “Pineapple Grenade,” released on their own label,
Right Coast Records.

In 2014, the album was followed by an EP, “The Cool Down: Vol. 1,”
a collection of acoustic renditions of classic Ballyhoo! songs as well as 3 brand new songs:
“Beach Party,” “ADHD” & “Overnight Sensation.”

2015 brought even more touring and music with the band supporting well known ska-punkers Less Than Jake and Reel Big Fish, Rock/Reggae icons Pepper, while also releasing two singles: “Fast Times” & “Mixtape.” The latter will appear on the band’s new album, “girls.” slated to be released this Summer. Ballyhoo! joined forces with PledgeMusic, rallying fans to be a part of the making of this new album. The campaign was a success with well over 100% funding.

Now in 2016 with a new album of songs produced by Paul Leary (Sublime) & Matt Wallace (Maroon 5, Faith No More),
Ballyhoo! is back out on the grind.

Billboard and radio chart topping, award-winning, international reggae-rock sensation Roots of Creation, are a touring powerhouse.

Whether on the festival circuit, performing at jam and reggae-rock favorites like Camp Bisco, Gathering of The Vibes, California Roots, Jungle Jam and Closer to the Sun, or sharing the stage at sold out shows with some of their diverse influences including Slightly Stoopid, The Wailers, and Michael Franti, reggae/rock/dubtronica band Roots of Creation(RoC) offers up a high-energy, infectious live music experience. Their mix of reggae riddims, conscious lyrics, spirited horn lines, and electronic beats makes crowds move and has their loyal underground fan base (RoC Family) and street team (Universal Soldiers) travelling the distance to pack venues from coast-to-coast.

Roots of Creation’s most recent release, Livin Free (2016), debuted No. 1 on both the Billboard Reggae and the Relix/Jambands.com Radio charts. Livin Free is a triple record that includes three versions of each song–studio, dub, and acoustic that features guest performances by Melvin Seals (Jerry Garcia Band), Marshall “Ras MG” Goodman (Sublime, Long Beach Dub Allstars), the Rubblebucket horn section, Billy Kottage (Reel Big Fish), Grammy-nominated Pato Banton (Sting, UB40), and many more. Additionally, the album welcomes guest production by Yeti Beats (Rebelution, Slightly Stoopid).

Now RoC has taken on a unique new project: Grateful Dub. Combining their longtime love for reggae-dub style music and the Grateful Dead, RoC reworked some of the world’s favorite Dead tunes into a new studio album. RoC had the pleasure of working in the studio with the legendary 5-time Grammy winner Errol Brown who was Bob Marley’s engineer and now Rebelution’s live sound engineer for this project. Grateful Dub is also being performed live in its entirety at festivals, theatres, and clubs around the country, and features rotating special guests including Melvin Seals (JGB), Scott Guberman (Phil Lesh) full horn sections, and others. Grateful Dub captures the spirit and magic of the Grateful Dead, while laying it down reggae-dub style.

Lee Perry, aloso known as “Scratch,” was born in a rural section of Jamaica in 1936. Intent on making it in music, Perry moved to Kingston in the late 1950s where he began working for a series of studios. In 1968 he broke out on his own, established a new label and issued a string of hits, including People Funny Boy and Return Of Django. Perry was instrumental in introducing remixing into the reggae sound. He worked Bob Marley and later with The Clash, Paul McCartney and the Beastie Boys.

Early Career
A pioneering reggae artist and music producer, Rainford Hugh Perry (later known as Lee “Scratch” Perry) was born March 20, 1936, in Kendal, Jamaica. Raised in a rural, poor section of his home country, Lee Perry harbored dreams of making it big in the world of music.

In the late 1950s, Perry set out to pursue his dream, moving to Kingston, where a new musical genre, reggae, had grabbed hold of the city and the growing recording industry. As a young man trying to carve out a living in the music world, Perry took any work that came his way. Hired as a handyman, then a janitor at different music studios, he slowing worked his way up the ladder until he was writing songs.

Perry eventually hooked on with Clement “Coxsone” Dodd, founder of Studio One, an influential recording studio, where a young Bob Marley would soon be crafting his sound. But Perry\’s relationship with Dodd proved turbulent, and after falling out with his boos, he started work at Whirl Records and its head man, Joe Gibbs.

Just as he had with Dodd, Perry had his problems with Gibbs and in 1968 exited Whirl and ventured out on his own to start his own label, Upsetter.

Lee Perry, aloso known as “Scratch,” was born in a rural section of Jamaica in 1936. Intent on making it in music, Perry moved to Kingston in the late 1950s where he began working for a series of studios. In 1968 he broke out on his own, established a new label and issued a string of hits, including People Funny Boy and Return Of Django. Perry was instrumental in introducing remixing into the reggae sound. He worked Bob Marley and later with The Clash, Paul McCartney and the Beastie Boys.

Early Career
A pioneering reggae artist and music producer, Rainford Hugh Perry (later known as Lee “Scratch” Perry) was born March 20, 1936, in Kendal, Jamaica. Raised in a rural, poor section of his home country, Lee Perry harbored dreams of making it big in the world of music.

In the late 1950s, Perry set out to pursue his dream, moving to Kingston, where a new musical genre, reggae, had grabbed hold of the city and the growing recording industry. As a young man trying to carve out a living in the music world, Perry took any work that came his way. Hired as a handyman, then a janitor at different music studios, he slowing worked his way up the ladder until he was writing songs.

Perry eventually hooked on with Clement “Coxsone” Dodd, founder of Studio One, an influential recording studio, where a young Bob Marley would soon be crafting his sound. But Perry\’s relationship with Dodd proved turbulent, and after falling out with his boos, he started work at Whirl Records and its head man, Joe Gibbs.

Just as he had with Dodd, Perry had his problems with Gibbs and in 1968 exited Whirl and ventured out on his own to start his own label, Upsetter.

Common Kings’ style and music is a collection of inspirations orchestrated into an array of head rocking beats, feel good vibes, and emotional fever. Their crazy, fun-loving attitude compliments Common Kings’ live sound, producing phenomenal hits with rock, reggae, and island influences. These influences originate from each band members love for various genres, and widespread knowledge of music.

Common Kings 2018.JPG
The majority of Common Kings were born in the South Pacific, and raised in Orange County, California. Growing up with households full of colorful personality and vibrant passions for music, Common Kings’ members naturally grew up forming individual musical paths. This musical journey involved mimicking and listening to artists such as Van Morrison, Stevie Wonder, Geourge Benson, Jim Croce, Michael Jackson, The Who, Led Zepplin, Gypsy Kings, Earth Wind and Fire, Bob Marley and more. The culmination of these musicians explains exactly who the Common Kings are.

Where everything comes to a point is through lead singer Sasualei “Jr King” Maliga. Jr King is perhaps one of the most powerfully impressive vocalists amongst today’s leading artists. Born with this untrained raw-talent, Jr King’s singing ability seems boundless, as he amazes listeners with a wide range of belting notes and soulful passion. His humble demeanor off-stage needs no introduction as to when the band is rocking out on-stage creating a young, wild, and free atmosphere.

Electricity out now – http://smarturl.it/Electricity

Thomas Wesley Pentz, better known as Diplo, is one of the most dynamic forces in music today. He is as much an international brand as he is a musician/DJ/producer. He\’s proven himself to be a ubiquitous cultural figure, consistently bridging high and low, mainstream and underground, with remarkable tact and reverence.
In 2004, after throwing influential parties in South Philadelphia, Pentz cemented himself as a full fledged artist through his debut album, “Florida” which received praise within the underground community. Diplo worked with M.I.A. on her mixtape, first and second albums, eventually creating the Grammy nominated track “Paper Planes” in 2007, which hit No. 4 on the U.S. Hot 100 Chart and has sold more than 3 million copies.

In 2005, Diplo founded label/culture lab Mad Decent to serve as a platform for showcasing the myriad of fascinating sounds Pentz encounters while touring the world. Notable artists include: Dillon Francis, DJ Snake, Baauer, and Riff Raff. Coming full circle from his days of Hollertronix, Diplo has utilized the label to produce the annual and infamous Mad Decent Block Parties — a series of outdoor dance parties/concerts that now span 19 cities across North America.
After multiple Grammy nominations, including Producer of the Year, and being crowned the #1 most streamed artist on Soundcloud for 2013, Beyoncé\’s “Run the World” sampled Major Lazer\’s “Pon De Floor” and sold over a million copies, cementing Diplo\’s place in the pop world.

Fast forward to present day, Pentz has 235+ show dates under his belt in 2015 alone, and three 2016 Grammy Nominations including Producer of the Year, Best Dance Recording, and Best Dance/Electronic Album. Diplo remains the go-to producer for the who\’s who of the pop music landscape.
“Lean On” the global smash hit from Major Lazer\’s June 2015 release Peace Is the Mission has garnered a host of accolades including reaching #1 at Top 40 Radio, a first for any independent label, being named Spotify\’s Global Song of the Summer as well as earning the crown title of most streamed track of all time, currently with 573 million plays, making it the most successful independent song of all time.

Diplo on Tour – http://diplo.com/tour.html

Instagram: https://www.instagram.com/diplo/

Twitter: https://twitter.com/diplo

YouTube: http://diplo.fm/YouTube

The Expendables enjoyed a laid-back lifestyle growing up in Santa Cruz, CA; surfing, skating, partying, and playing music were commonplace. Since 1997, The Expendables have staked their claim in the California surf/rock genre by headlining venues from coast to coast. Blending Reggae, Punk Rock, and 80s style dueling guitar solos, The Expendables have made heads turn and floors shake for years.

The band consists of four longtime friends: Geoff Weers (Guitar and Vocals), Adam Patterson (Drums and Vocals), Raul Bianchi (Lead Guitar) and Ryan DeMars (Bass). The first seven years of their career was fueled with three full-length, completely independent releases. No Time To Worry (2000), Open Container (2001), and Gettin’ Filthy (2004), would bring in a combined total of over 40,000 units sold with no physical distribution and no record label.

While touring and supporting their album, Gettin’ Filthy, The Expendables would share the stage with Slightly Stoopid and catch the attention of founders and front men Kyle McDonald and Miles Doughty. In 2007 Slightly Stoopid formed their own independent label, Stoopid Records, and signed The Expendables for the label’s first non-Stoopid release, which was The Expendables self-titled. Released in September 2007, the album would be accepted as an instant classic by fans and received rave reviews from critics.

The band continued supporting the album with hundreds of shows over the next two years, gaining fans around the world, and respect from the bands that influenced them. Early 2009 The Expendables toured relentlessly. Within a few short months, they hit the road with NOFX, Less Than Jake, Pennywise, and Pepper. In case that was not enough, The Expendables were honored to join 311 on their Summer Unity amphitheater tour, rocking huge stages, and opening new doors for the band.

Billboard and radio chart topping, award-winning, international reggae-rock sensation Roots of Creation, are a touring powerhouse.

Whether on the festival circuit, performing at jam and reggae-rock favorites like Camp Bisco, Gathering of The Vibes, California Roots, Jungle Jam and Closer to the Sun, or sharing the stage at sold out shows with some of their diverse influences including Slightly Stoopid, The Wailers, and Michael Franti, reggae/rock/dubtronica band Roots of Creation(RoC) offers up a high-energy, infectious live music experience. Their mix of reggae riddims, conscious lyrics, spirited horn lines, and electronic beats makes crowds move and has their loyal underground fan base (RoC Family) and street team (Universal Soldiers) travelling the distance to pack venues from coast-to-coast.

Roots of Creation’s most recent release, Livin Free (2016), debuted No. 1 on both the Billboard Reggae and the Relix/Jambands.com Radio charts. Livin Free is a triple record that includes three versions of each song–studio, dub, and acoustic that features guest performances by Melvin Seals (Jerry Garcia Band), Marshall “Ras MG” Goodman (Sublime, Long Beach Dub Allstars), the Rubblebucket horn section, Billy Kottage (Reel Big Fish), Grammy-nominated Pato Banton (Sting, UB40), and many more. Additionally, the album welcomes guest production by Yeti Beats (Rebelution, Slightly Stoopid).

Now RoC has taken on a unique new project: Grateful Dub. Combining their longtime love for reggae-dub style music and the Grateful Dead, RoC reworked some of the world’s favorite Dead tunes into a new studio album. RoC had the pleasure of working in the studio with the legendary 5-time Grammy winner Errol Brown who was Bob Marley’s engineer and now Rebelution’s live sound engineer for this project. Grateful Dub is also being performed live in its entirety at festivals, theatres, and clubs around the country, and features rotating special guests including Melvin Seals (JGB), Scott Guberman (Phil Lesh) full horn sections, and others. Grateful Dub captures the spirit and magic of the Grateful Dead, while laying it down reggae-dub style.

For nearly a decade now, Bumpin Uglies have been playing their brand of groove-heavy jams – a curiously fun mix of ska, Reggae and good ole’ punk rock – all while putting strong lyrics at the forefront of the music. It’s a formula that quickly took them from local favorites, playing around Annapolis, to a national stage. With a wildly infectious sound, tattoo-worthy lyrics and an itch to take their music to the masses, the band piled into the van years ago and have rarely seen home since.

When they aren’t on the road, they’ve been camped in the studio, churning out four full-length albums, two acoustic albums, three EP’s and a Live record. Their latest, 2018’s Beast From The East came out on Space Duck Records and is proof that the band has found their groove. The album consists of a dozen stand-out tracks, any one of which could be considered instant classics for the band. The album also features some big names in the East Coast reggae-rock community including Ballyhoo!’s Howi Spangler, the Movement’s Gary Dread, Passafire’s Ted Bowne, Tropidelic’s Derek McBryde, Matthew Roads & Young James, Zach Fowler of Sun Dried Vibes and Oogee Wawa’s Jesse Lee. Buzz magazine raves “Beast From The East IS A CAREFULLY CRAFTED PUNK-REGGAE GEM.”

The Bumpin Uglies’ origin story begins with singer/guitarist Brandon Hardesty playing open mics around Maryland. He met bassist Dave Wolf not too long after and Bumpin Uglies was born. With a proper set of wheels and TJ Haslett on drums, they went off to spread their music across the country like modern day Johnny Appleseeds. The group recently added Chad Wright on keyboards, expanding on their sound.

Raised on everything from Bad Religion and The Beach Boys to Sublime and Reel Big Fish, Bumpin Uglies have managed to take inspiration from some of the best out there, run it through their own distinctive filter and end up with a truly original take on the various genres creating an original hybrid. With a unique sound that’s nearly impossible to ignore, the band has gotten everyone from dreadlocked kids to PBR-fueled tattooed punks moving their heads to their music at festivals and on headlining tours across the country.

Who is Bumpin Uglies?

Brandon Hardesty – Vocals, Guitar
Dave Wolf – Vocals, Bass
TJ Haslett – Drums
Chad Wright – Vocals, Keys, Guitar

Hailing from the east coast, Baltimore alt-rockers Ballyhoo! have been on the road, taking their melodic anthems to the people for over a decade. Their “On Tour Forever” work ethic has taken them all over the country, steadily building a fan base of loyal “Hooligans.”

In 2013, the band cracked the Billboard 200 chart at #189 with their 5th album, “Pineapple Grenade,” released on their own label,
Right Coast Records.

In 2014, the album was followed by an EP, “The Cool Down: Vol. 1,”
a collection of acoustic renditions of classic Ballyhoo! songs as well as 3 brand new songs:
“Beach Party,” “ADHD” & “Overnight Sensation.”

2015 brought even more touring and music with the band supporting well known ska-punkers Less Than Jake and Reel Big Fish, Rock/Reggae icons Pepper, while also releasing two singles: “Fast Times” & “Mixtape.” The latter will appear on the band’s new album, “girls.” slated to be released this Summer. Ballyhoo! joined forces with PledgeMusic, rallying fans to be a part of the making of this new album. The campaign was a success with well over 100% funding.

Now in 2016 with a new album of songs produced by Paul Leary (Sublime) & Matt Wallace (Maroon 5, Faith No More),
Ballyhoo! is back out on the grind.

Badfish – a Tribute To Sublime

The phenomenon known as Sublime, arguably the most energetic, original and uniquely eclectic band to emerge from any scene, anywhere, ended with the untimely death of lead singer, guitarist and songwriter Brad Nowell in May of 1996. But encompassing the sense of place and purpose long associated with Sublime’s music, Badfish, a Tribute to Sublime continues to channel the spirit of Sublime with a fury not felt for some time. What separates Badfish from other tribute bands is that they have replicated Sublime’s essence, developing a scene and dedicated following most commonly reserved for label-driven, mainstream acts. Badfish make their mark on the audience by playing with the spirit of Sublime. They perform not as Sublime would have, or did, but as Badfish does.

Let the LOVE IN with Fox Glove, Mike Edel, and Kirsten Ludwig

Adwela & the Uprising is a nationally touring seven-piece award winning roots reggae band based out of Virginia, United States of America. The music created by Adwela & the Uprising is conscious music that spreads truth. Adwela’s soul stirring lyrics give you no choice but to come to a new overstanding about the world we live in and who you choose to be.

Adwela & the Uprising was named Best New Artist in 2015 by Virginia Reggae out of Virginia Beach. They have since blossomed with several national tours under their belt. Adwela & the Uprising’s resume speak volumes by way of media coverage, television appearances, and rave reviews.

The highly anticipated first album “The Road Less Traveled” was released March 2017. Charting at #28 on the iTunes reggae album charts while spending three weeks on the top 100 charts. Adwela & the Uprising bring such a unique sound they most certainly stand out in their own right. Musical influences stem from icons such as Bob Marley, Peter Tosh, Burning Spear, Jacob Miller, Damian Marley, just to name a few. Adwela & the Uprising will also be touring internationally in September 2018. Adwela & the Uprising continue to grow a faithful following with each performance and tour, and in doing so are grateful for the people they have met along the way. Ever committed to the less popular mantra of “message over popularity”, we are very humbled by the masses that have galvanized around our mission and helped keep universal music alive and well!

Hailing from the east coast, Baltimore alt-rockers Ballyhoo! have been on the road, taking their melodic anthems to the people for over a decade. Their “On Tour Forever” work ethic has taken them all over the country, steadily building a fan base of loyal “Hooligans.”

In 2013, the band cracked the Billboard 200 chart at #189 with their 5th album, “Pineapple Grenade,” released on their own label,
Right Coast Records.

In 2014, the album was followed by an EP, “The Cool Down: Vol. 1,”
a collection of acoustic renditions of classic Ballyhoo! songs as well as 3 brand new songs:
“Beach Party,” “ADHD” & “Overnight Sensation.”

2015 brought even more touring and music with the band supporting well known ska-punkers Less Than Jake and Reel Big Fish, Rock/Reggae icons Pepper, while also releasing two singles: “Fast Times” & “Mixtape.” The latter will appear on the band’s new album, “girls.” slated to be released this Summer. Ballyhoo! joined forces with PledgeMusic, rallying fans to be a part of the making of this new album. The campaign was a success with well over 100% funding.

Now in 2016 with a new album of songs produced by Paul Leary (Sublime) & Matt Wallace (Maroon 5, Faith No More),
Ballyhoo! is back out on the grind.

The Expendables enjoyed a laid-back lifestyle growing up in Santa Cruz, CA; surfing, skating, partying, and playing music were commonplace. Since 1997, The Expendables have staked their claim in the California surf/rock genre by headlining venues from coast to coast. Blending Reggae, Punk Rock, and 80s style dueling guitar solos, The Expendables have made heads turn and floors shake for years.

The band consists of four longtime friends: Geoff Weers (Guitar and Vocals), Adam Patterson (Drums and Vocals), Raul Bianchi (Lead Guitar) and Ryan DeMars (Bass). The first seven years of their career was fueled with three full-length, completely independent releases. No Time To Worry (2000), Open Container (2001), and Gettin’ Filthy (2004), would bring in a combined total of over 40,000 units sold with no physical distribution and no record label.

While touring and supporting their album, Gettin’ Filthy, The Expendables would share the stage with Slightly Stoopid and catch the attention of founders and front men Kyle McDonald and Miles Doughty. In 2007 Slightly Stoopid formed their own independent label, Stoopid Records, and signed The Expendables for the label’s first non-Stoopid release, which was The Expendables self-titled. Released in September 2007, the album would be accepted as an instant classic by fans and received rave reviews from critics.

The band continued supporting the album with hundreds of shows over the next two years, gaining fans around the world, and respect from the bands that influenced them. Early 2009 The Expendables toured relentlessly. Within a few short months, they hit the road with NOFX, Less Than Jake, Pennywise, and Pepper. In case that was not enough, The Expendables were honored to join 311 on their Summer Unity amphitheater tour, rocking huge stages, and opening new doors for the band.

For nearly a decade now, Bumpin Uglies have been playing their brand of groove-heavy jams – a curiously fun mix of ska, Reggae and good ole’ punk rock – all while putting strong lyrics at the forefront of the music. It’s a formula that quickly took them from local favorites, playing around Annapolis, to a national stage. With a wildly infectious sound, tattoo-worthy lyrics and an itch to take their music to the masses, the band piled into the van years ago and have rarely seen home since.

When they aren’t on the road, they’ve been camped in the studio, churning out four full-length albums, two acoustic albums, three EP’s and a Live record. Their latest, 2018’s Beast From The East came out on Space Duck Records and is proof that the band has found their groove. The album consists of a dozen stand-out tracks, any one of which could be considered instant classics for the band. The album also features some big names in the East Coast reggae-rock community including Ballyhoo!’s Howi Spangler, the Movement’s Gary Dread, Passafire’s Ted Bowne, Tropidelic’s Derek McBryde, Matthew Roads & Young James, Zach Fowler of Sun Dried Vibes and Oogee Wawa’s Jesse Lee. Buzz magazine raves “Beast From The East IS A CAREFULLY CRAFTED PUNK-REGGAE GEM.”

The Bumpin Uglies’ origin story begins with singer/guitarist Brandon Hardesty playing open mics around Maryland. He met bassist Dave Wolf not too long after and Bumpin Uglies was born. With a proper set of wheels and TJ Haslett on drums, they went off to spread their music across the country like modern day Johnny Appleseeds. The group recently added Chad Wright on keyboards, expanding on their sound.

Raised on everything from Bad Religion and The Beach Boys to Sublime and Reel Big Fish, Bumpin Uglies have managed to take inspiration from some of the best out there, run it through their own distinctive filter and end up with a truly original take on the various genres creating an original hybrid. With a unique sound that’s nearly impossible to ignore, the band has gotten everyone from dreadlocked kids to PBR-fueled tattooed punks moving their heads to their music at festivals and on headlining tours across the country.

Who is Bumpin Uglies?

Brandon Hardesty – Vocals, Guitar
Dave Wolf – Vocals, Bass
TJ Haslett – Drums
Chad Wright – Vocals, Keys, Guitar

Billboard and radio chart topping, award-winning, international reggae-rock sensation Roots of Creation, are a touring powerhouse.

Whether on the festival circuit, performing at jam and reggae-rock favorites like Camp Bisco, Gathering of The Vibes, California Roots, Jungle Jam and Closer to the Sun, or sharing the stage at sold out shows with some of their diverse influences including Slightly Stoopid, The Wailers, and Michael Franti, reggae/rock/dubtronica band Roots of Creation(RoC) offers up a high-energy, infectious live music experience. Their mix of reggae riddims, conscious lyrics, spirited horn lines, and electronic beats makes crowds move and has their loyal underground fan base (RoC Family) and street team (Universal Soldiers) travelling the distance to pack venues from coast-to-coast.

Roots of Creation’s most recent release, Livin Free (2016), debuted No. 1 on both the Billboard Reggae and the Relix/Jambands.com Radio charts. Livin Free is a triple record that includes three versions of each song–studio, dub, and acoustic that features guest performances by Melvin Seals (Jerry Garcia Band), Marshall “Ras MG” Goodman (Sublime, Long Beach Dub Allstars), the Rubblebucket horn section, Billy Kottage (Reel Big Fish), Grammy-nominated Pato Banton (Sting, UB40), and many more. Additionally, the album welcomes guest production by Yeti Beats (Rebelution, Slightly Stoopid).

Now RoC has taken on a unique new project: Grateful Dub. Combining their longtime love for reggae-dub style music and the Grateful Dead, RoC reworked some of the world’s favorite Dead tunes into a new studio album. RoC had the pleasure of working in the studio with the legendary 5-time Grammy winner Errol Brown who was Bob Marley’s engineer and now Rebelution’s live sound engineer for this project. Grateful Dub is also being performed live in its entirety at festivals, theatres, and clubs around the country, and features rotating special guests including Melvin Seals (JGB), Scott Guberman (Phil Lesh) full horn sections, and others. Grateful Dub captures the spirit and magic of the Grateful Dead, while laying it down reggae-dub style.

Badfish – A Tribute to Sublime

The phenomenon known as Sublime, arguably the most energetic, original and uniquely eclectic band to emerge from any scene, anywhere, ended with the untimely death of lead singer, guitarist and songwriter Brad Nowell in May of 1996. But encompassing the sense of place and purpose long associated with Sublime’s music, Badfish, a Tribute to Sublime continues to channel the spirit of Sublime with a fury not felt for some time. What separates Badfish from other tribute bands is that they have replicated Sublime’s essence, developing a scene and dedicated following most commonly reserved for label-driven, mainstream acts. Badfish make their mark on the audience by playing with the spirit of Sublime. They perform not as Sublime would have, or did, but as Badfish does.

The Expendables enjoyed a laid-back lifestyle growing up in Santa Cruz, CA; surfing, skating, partying, and playing music were commonplace. Since 1997, The Expendables have staked their claim in the California surf/rock genre by headlining venues from coast to coast. Blending Reggae, Punk Rock, and 80s style dueling guitar solos, The Expendables have made heads turn and floors shake for years.

The band consists of four longtime friends: Geoff Weers (Guitar and Vocals), Adam Patterson (Drums and Vocals), Raul Bianchi (Lead Guitar) and Ryan DeMars (Bass). The first seven years of their career was fueled with three full-length, completely independent releases. No Time To Worry (2000), Open Container (2001), and Gettin’ Filthy (2004), would bring in a combined total of over 40,000 units sold with no physical distribution and no record label.

While touring and supporting their album, Gettin’ Filthy, The Expendables would share the stage with Slightly Stoopid and catch the attention of founders and front men Kyle McDonald and Miles Doughty. In 2007 Slightly Stoopid formed their own independent label, Stoopid Records, and signed The Expendables for the label’s first non-Stoopid release, which was The Expendables self-titled. Released in September 2007, the album would be accepted as an instant classic by fans and received rave reviews from critics.

The band continued supporting the album with hundreds of shows over the next two years, gaining fans around the world, and respect from the bands that influenced them. Early 2009 The Expendables toured relentlessly. Within a few short months, they hit the road with NOFX, Less Than Jake, Pennywise, and Pepper. In case that was not enough, The Expendables were honored to join 311 on their Summer Unity amphitheater tour, rocking huge stages, and opening new doors for the band.

Hailing from the east coast, Baltimore alt-rockers Ballyhoo! have been on the road, taking their melodic anthems to the people for over a decade. Their “On Tour Forever” work ethic has taken them all over the country, steadily building a fan base of loyal “Hooligans.”

In 2013, the band cracked the Billboard 200 chart at #189 with their 5th album, “Pineapple Grenade,” released on their own label,
Right Coast Records.

In 2014, the album was followed by an EP, “The Cool Down: Vol. 1,”
a collection of acoustic renditions of classic Ballyhoo! songs as well as 3 brand new songs:
“Beach Party,” “ADHD” & “Overnight Sensation.”

2015 brought even more touring and music with the band supporting well known ska-punkers Less Than Jake and Reel Big Fish, Rock/Reggae icons Pepper, while also releasing two singles: “Fast Times” & “Mixtape.” The latter will appear on the band’s new album, “girls.” slated to be released this Summer. Ballyhoo! joined forces with PledgeMusic, rallying fans to be a part of the making of this new album. The campaign was a success with well over 100% funding.

Now in 2016 with a new album of songs produced by Paul Leary (Sublime) & Matt Wallace (Maroon 5, Faith No More),
Ballyhoo! is back out on the grind.

Hailing from the east coast, Baltimore alt-rockers Ballyhoo! have been on the road, taking their melodic anthems to the people for over a decade. Their “On Tour Forever” work ethic has taken them all over the country, steadily building a fan base of loyal “Hooligans.”

In 2013, the band cracked the Billboard 200 chart at #189 with their 5th album, “Pineapple Grenade,” released on their own label,
Right Coast Records.

In 2014, the album was followed by an EP, “The Cool Down: Vol. 1,”
a collection of acoustic renditions of classic Ballyhoo! songs as well as 3 brand new songs:
“Beach Party,” “ADHD” & “Overnight Sensation.”

2015 brought even more touring and music with the band supporting well known ska-punkers Less Than Jake and Reel Big Fish, Rock/Reggae icons Pepper, while also releasing two singles: “Fast Times” & “Mixtape.” The latter will appear on the band’s new album, “girls.” slated to be released this Summer. Ballyhoo! joined forces with PledgeMusic, rallying fans to be a part of the making of this new album. The campaign was a success with well over 100% funding.

Now in 2016 with a new album of songs produced by Paul Leary (Sublime) & Matt Wallace (Maroon 5, Faith No More),
Ballyhoo! is back out on the grind.

The Expendables enjoyed a laid-back lifestyle growing up in Santa Cruz, CA; surfing, skating, partying, and playing music were commonplace. Since 1997, The Expendables have staked their claim in the California surf/rock genre by headlining venues from coast to coast. Blending Reggae, Punk Rock, and 80s style dueling guitar solos, The Expendables have made heads turn and floors shake for years.

The band consists of four longtime friends: Geoff Weers (Guitar and Vocals), Adam Patterson (Drums and Vocals), Raul Bianchi (Lead Guitar) and Ryan DeMars (Bass). The first seven years of their career was fueled with three full-length, completely independent releases. No Time To Worry (2000), Open Container (2001), and Gettin’ Filthy (2004), would bring in a combined total of over 40,000 units sold with no physical distribution and no record label.

While touring and supporting their album, Gettin’ Filthy, The Expendables would share the stage with Slightly Stoopid and catch the attention of founders and front men Kyle McDonald and Miles Doughty. In 2007 Slightly Stoopid formed their own independent label, Stoopid Records, and signed The Expendables for the label’s first non-Stoopid release, which was The Expendables self-titled. Released in September 2007, the album would be accepted as an instant classic by fans and received rave reviews from critics.

The band continued supporting the album with hundreds of shows over the next two years, gaining fans around the world, and respect from the bands that influenced them. Early 2009 The Expendables toured relentlessly. Within a few short months, they hit the road with NOFX, Less Than Jake, Pennywise, and Pepper. In case that was not enough, The Expendables were honored to join 311 on their Summer Unity amphitheater tour, rocking huge stages, and opening new doors for the band.

Hailing from the east coast, Baltimore alt-rockers Ballyhoo! have been on the road, taking their melodic anthems to the people for over a decade. Their “On Tour Forever” work ethic has taken them all over the country, steadily building a fan base of loyal “Hooligans.”

In 2013, the band cracked the Billboard 200 chart at #189 with their 5th album, “Pineapple Grenade,” released on their own label,
Right Coast Records.

In 2014, the album was followed by an EP, “The Cool Down: Vol. 1,”
a collection of acoustic renditions of classic Ballyhoo! songs as well as 3 brand new songs:
“Beach Party,” “ADHD” & “Overnight Sensation.”

2015 brought even more touring and music with the band supporting well known ska-punkers Less Than Jake and Reel Big Fish, Rock/Reggae icons Pepper, while also releasing two singles: “Fast Times” & “Mixtape.” The latter will appear on the band’s new album, “girls.” slated to be released this Summer. Ballyhoo! joined forces with PledgeMusic, rallying fans to be a part of the making of this new album. The campaign was a success with well over 100% funding.

Now in 2016 with a new album of songs produced by Paul Leary (Sublime) & Matt Wallace (Maroon 5, Faith No More),
Ballyhoo! is back out on the grind.

Raised on an island in South Carolina, singer/songwriter Trevor Hall realized at a young age that music was more than just a passion – it was, rather, his life’s art. At sixteen, he recorded his first album, soon after which he left South Carolina for Idyllwild Arts Academy in California where he studied classical guitar and was introduced to the practices of yoga and meditation, which would greatly influence his life and his music.

Hall’s music, a blend of roots and folk music, is imbued with a deep love of Eastern Mysticism. This powerful symbiosis fostered a deep connectivity with his growing fan base and Trevor quickly matured into a leader of the burgeoning conscious musical community. Along with numerous pilgrimages to India, he has also completed a series of sold-out tours and collaborations with artists such as Steel Pulse, Ziggy Marley, Jimmy Cliff, Matisyahu, Michael Franti, Xavier Rudd and Nahko & Medicine for the People.

His previous full-length album releases, Chapter of the Forest (2014) and KALA (2015), debuted at #3 and #2 on the iTunes singer/songwriter chart respectively and were supported by extensive tours around the US and Australia. Beyond his intention to spread love and healing through music, Hall also collects donations to support children’s education in India and has continuously donated to charities and relief funds.

The Fruitful Darkness is Trevor’s first independent release — supported by his fans known as THE VILLAGERS — has become the #1 Music campaign of its kind in 2017 — after a decade plus recording for established labels such as Geffen and Vanguard. “There have been many hurdles and triumphs along the way” Hall reflects. “This album conveys the deep vulnerability of journeying through the unknown, as opposed to playing it safe.” Besides the change in infrastructure, the album itself explores completely new sonic terrain and is being released unconventionally, in 3-5 song installments on specific lunar dates. The full length album premiered at #4 on the Alt Charts, the most successful of Hall’s career yet. Listen to the album here.

For nearly a decade now, Bumpin Uglies have been playing their brand of groove-heavy jams – a curiously fun mix of ska, Reggae and good ole’ punk rock – all while putting strong lyrics at the forefront of the music. It’s a formula that quickly took them from local favorites, playing around Annapolis, to a national stage. With a wildly infectious sound, tattoo-worthy lyrics and an itch to take their music to the masses, the band piled into the van years ago and have rarely seen home since.

When they aren’t on the road, they’ve been camped in the studio, churning out four full-length albums, two acoustic albums, three EP’s and a Live record. Their latest, 2018’s Beast From The East came out on Space Duck Records and is proof that the band has found their groove. The album consists of a dozen stand-out tracks, any one of which could be considered instant classics for the band. The album also features some big names in the East Coast reggae-rock community including Ballyhoo!’s Howi Spangler, the Movement’s Gary Dread, Passafire’s Ted Bowne, Tropidelic’s Derek McBryde, Matthew Roads & Young James, Zach Fowler of Sun Dried Vibes and Oogee Wawa’s Jesse Lee. Buzz magazine raves “Beast From The East IS A CAREFULLY CRAFTED PUNK-REGGAE GEM.”

The Bumpin Uglies’ origin story begins with singer/guitarist Brandon Hardesty playing open mics around Maryland. He met bassist Dave Wolf not too long after and Bumpin Uglies was born. With a proper set of wheels and TJ Haslett on drums, they went off to spread their music across the country like modern day Johnny Appleseeds. The group recently added Chad Wright on keyboards, expanding on their sound.

Raised on everything from Bad Religion and The Beach Boys to Sublime and Reel Big Fish, Bumpin Uglies have managed to take inspiration from some of the best out there, run it through their own distinctive filter and end up with a truly original take on the various genres creating an original hybrid. With a unique sound that’s nearly impossible to ignore, the band has gotten everyone from dreadlocked kids to PBR-fueled tattooed punks moving their heads to their music at festivals and on headlining tours across the country.